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Jesus Nebot's encounter
with a woman with a video camera and a mission led to his on-the-run film
"No Turning Back."
By MARIA ELENA FERNANDEZ,
Times Staff Writer
Jesus Nebot
GENARO MOLINA / Los Angeles
Times |
The angel, as he has now
come to call her, appeared to Jesus Nebot right after a workout as he was
walking to his car outside a health club in Santa Monica. She had no halo
or shiny aura around her. Instead she was carrying a mini digital video
camera.
She had a mission, as angels
do: to show the actor and founder of Zokalo Innovative Entertainment footage
she had taped for 10 days while on the run from the Tijuana border to Los
Angeles with a troubled father and daughter.
"I'm a little adventurous,
I have to admit. I want to make sure I don't miss opportunities. So I told
her I'd take a look," said Nebot, who launched Zokalo, a Santa Monica-based
independent production company, in 1999. "What she said really caught my
attention. ... But I had to guarantee that she would be protected because
she could be charged with breaking the law."
Nebot and his angel met three
times in his Santa Monica office; he never knew her real name (she called
herself Soid) or where she lived. She told Nebot that she fell in love
with the camera as a teenage runaway when a documentarian filmed her for
his story about Hollywood street kids. She had found Zokalo while surfing
on the Internet for production companies. After showing Nebot the tapes
and relaying the heart-wrenching events, she vanished, leaving the aspiring
director and producer with the kernel for his first project: "No Turning
Back."
"I knew very quickly that
this was a story I wanted to tell," Nebot said. "We immediately started
working on the script and looking for financing. This journalist, Soid,
told me what she knew, but I didn't concern myself too much with proving
every element of the story. The movie is based on actual events, but it's
a contemporary story that I think most people can relate to."
"No Turning Back," an English-language
movie, won the Best Audience Award last month in the Malaga Film Festival,
Spain's most prestigious national competition. It will be featured at the
Los Angeles Latino International Film Festival, which starts Friday. "No
Turning Back" will be shown next Thursday. Nebot, who co-wrote, co-directed
and produced the movie, also plays the protagonist, a Honduran English
literature professor who migrates illegally to Southern California with
his 6-year-old daughter after his wife is killed in Hurricane Mitch. Months
after beginning their new life, Pablo, the father, accidentally kills a
girl with his car and flees, refusing to abandon his own daughter.
The movie is based on real
events that Soid relayed to Nebot and follows the father and daughter as
they try to make it to Canada with the help of a mysterious amateur documentarian
named Soid, who convinces Pablo that videotaping them will help detract
attention from them. The story ends unpredictably for both the father and
the daughter.
"For Jesus to pull this movie
together against all odds and to showcase a story that shows a different
image of immigrants that is not the usual Hollywood image is something
I admire a lot," said Marlene Dermer, executive director and co-founder
of the Los Angeles Latino film festival.
The story of the conflicted
father who is ruled by his love for his daughter touched Nebot's sense
of compassion and matched the message of tolerance he wants to promote
with his company and films. Nebot, who moved to Los Angeles five years
ago after a successful acting career in Spain and Latin America, says he
turned to production to broaden his skills and marketability. He has guest-starred
on such series as "NYPD Blue" and "The Sentinel" and has had roles in several
films.
"I'm blessed that I've always
had work and never had to do anything else," Nebot said. "But I'm also
quite happy that my career didn't take off immediately like I expected.
I expected to be the next Antonio Banderas. But this motivated me to push
myself and write, produce and direct."
Through Zokalo, Nebot hopes
to tell character-driven stories about Latinos that Hollywood would not
ordinarily embrace or portray. The film was co-produced by Cartel, a Spanish
production company, and co-written and co-directed by Julia Montejo, a
screenwriter who has developed scripts and worked on television series
in Spain and Venezuela.
As Nebot sought financing
for "No Turning Back," he was repeatedly nagged with the same question:
How do you expect an audience to sympathize with a protagonist who had
killed a child and run away?
"My belief is that we're
all good in our essence," Nebot said. "It's very easy for us to jump into
judgment and call him a criminal. He has no credibility because he's illegal.
But for this guy, facing the consequences could mean losing his daughter.
In the media here, we always have good people and bad people ...
but I don't see it that way. Sometimes people make poor decisions based
on their circumstances. It's not about condoning people and their actions.
It's about having a greater understanding."
It is an attitude Nebot developed
as a child in Santander, Spain, when he dreamed of becoming a missionary.
Later, he wanted to become a diplomat but refused to join the military
for a year, as the government required. Instead, Nebot discovered acting.
After graduating from the
Royal Academy of Dramatic Arts and performing in Madrid, Nebot moved to
Venezuela, where he starred in two popular telenovelas, "La Loba
Herida" and "Divina Obsesion." In 1995, he moved to New York City to study
acting at the Lee Strasberg Theatre. "Acting is my first love," Nebot said.
"But this movie has empowered me so much and it has changed my life. Independent
films are usually about the gritty, the edgy and lots of camera tricks.
My film pushes the limits
Actress Susan Haskell, who
won an Emmy for her work on ABC's "One Life to Live," plays the mother
whose daughter is killed.
"The whole story just really
draws you in," Haskell said. "It was refreshing and something I didn't
expect at all. It just made me cry." The movie was shot in three weeks
in 22 locations for less than $1 million.
Although he enjoyed the triple
challenge, Nebot has concluded that it's "crazy" to simultaneously play
the lead role, direct and produce, because one job was always sacrificed
for another.
"He likes to take control
of everything and know what's going on everywhere," says Chris Sablan,
the movie's associate producer and director of development for Zokalo.
"One of his main concerns was that the extras ate at the same time as the
other actors. He's that type of guy. He will listen to anything anybody
has to say, and he takes it into account when making decisions."
Jon Mercedes, a film production
consultant who began his career in Hollywood in 1968 and guided Nebot during
the production process, called Nebot a pioneer in Latino storytelling and
filmmaking.
"We haven't heard those stories
and we haven't seen them, but they're universal," Mercedes said. "People
have a lot of prejudice toward people of other cultures, but there's no
difference in how we live as human beings."
Accepting the humanity in
others is the lesson Nebot hopes his audience derives from his first film.
"What I want most is for
my films to have social relevance," he said. "This story came to me almost
like a miracle. She was like an angel who had a message, and I embraced
it. I really felt for Pablo and his love for his daughter. The only way
to help people heal is to love, forgive them and understand them. That
is what I want my filmmaking to be about."
The fifth annual Los Angeles
Latino International Film Festival runs Friday through July 29 at the Egyptian
Theatre, 6712 Hollywood Blvd., Hollywood, (323) 469-9066 or http://www.latinofilm.org.
Copyright 2001 Los Angeles
Times |